BalletAndOpera.com  St. Petersburg City, Russia - ballet, opera, concert and show tickets.

OperaAndBallet.com home page
   VIEW CART  |   CHANGE CURRENCY  |  Your Account  |  HELP  |  
Toll Free (888) 885 7909
OperaAndBallet.com / BolshoiMoscow.com. Moscow, Russia - ballet, opera, concert and show tickets.
SCHEDULE
NEWS
FESTIVALS
Bolshoi
SEE MORE
STAGES
We accept Amex, Visa, MasterCard, JCB, Diner
   SEE MARIINSKY TICKETS
(ST. PETERSBURG)
Hello. Returning customer? Sign in. New customer? Start here
Modern Ballet "Bosque Ardore" Rocio Molina
Brilliant Classical Stanislavsky Ballet and Opera theatre (established 1887, founded by Stanislavsky)

Running time: 90 minutes


Schedule for "Bosque Ardore" Rocio Molina 2022


Orchestra: Stanislavsky theatre symphony orchestra

Choreography, artistic and music direction Rocío Molina

Artistic direction and playwrite (with Rocío Molina) Mateo Feijoo

Music direction, composition and arrangements for cante Rosario "la Tremendita"

Original composition for guitar arrangements for trombones Eduardo Trassierra

Composition pour trombones Pablo Martin Caminero

Original composition of "Mandato" for trombones Dorantes 

Light Design Carlos Marquerie

Sound Space Design Pablo Martin Jones

Lyrics Maite Dono

 

Production Danza Molina

 

Coproduction: Biennale de la Danse de Lyon • Festival de Marseille Danse et Arts Multiples • Théâtre National de Chaillot • Théâtre de l’Olivier / Régie Culturelle Scènes et Cinés Ouest Provence • Festival Internacional Madrid en Danza • Mercat de les Flors – Barcelone • Bienal de Flamenco de Sevilla • Théâtre de Nîmes – Scène Conventionnée pour la Danse Contemporaine • Ballet National de Marseille • Théâtre de Villefranche

 

Time: 90 minutеs

 

© Photos: Alain Scherer y Rafael Gavalle

 

 

Rocío has chosen her men : 2 dancers and 6 musicians. A behind closed doors for these eight men in front of this woman, this dancer by turns enchanting, charmer, huntress and lover. She knows men’s weakness and agrees to be their prey, but only to direct them, dominate them, love them, fight them better and finally abandon them.

 

Rocío Molina is like a flower. "Yes" she says "But a flower that can grow on a rock and die to reborn more beautiful and stronger".

 

"Bosque Ardora" begins with a 4 minutes movie, projected on a gaze tightened on front stage. This is the dawn of a beautiful day. Rocío rides a horse in an imaginary forest. And then the curtain drops and Rocío appears, divine, in a velvet, leather and fur dress, like an fairy, an Amazon, a goddess…

 

The men look at her, scrutinize her but she faces and gauge them. 

 

Some steps, some movement of shoulders, some looks. But who will be the preys and who will be the hunters. A games take place between Rocío and her men, who have succombed to the charm of this dominating and exquisitelysubmissed to whom would play with her.  

 

And the emotions run throughout the work, and are the common theme that will guide the audience to the end of this not always fairy tale.

 

The stage is empty. The German legs drops provide an imprison-ment sensation. A few trees, roots un the sky, are the only screens to hide them to the audience sight, to spy and aim their prey better. No one will be able to leave stage during the whole performance.

 

It is a peculiar day imagined by Mateo Feijo and Rocío Molina. A day that will last the time of the performance, to go from dawn to dusk. Carlos Marquerie’s light retrace the course of the sun, from dazzling lights of midday to the sometimes scary sha-dows of the twilight.

 

With the experimentations and improvisations - "Danza Impulsiva" - that Rocío Molina presented in the most diverse and unusual spaces (a fountain in Barcelona, Seine riverbanks in Paris or Central Park in New York), she found a freedom, in the movement as much as in the rythm.

 

Fearless of anyone including herself, she gives in to a quasi savage and almost pagan choreographic partition for Flamenco aficionados. Yet, the purity of movement, the virtuosity of her "punteados" and "redobles": everything is there and much more.

 

 

Delegated Production Mr. Dante

 

Dancers:

 

Rocio Molina, Eduardo Guerrero et Fernando Jiménez

 

Musicians:

 

Eduardo Trasseierra (guitar)

José Ángel Carmona (vocals & electric bass)

José Manuel Ramos "Oruco" (palmas & compás)

Pablo Martin Jones (drums & live electronics)

José Vicente Ortega (trombone)

 

Technical Staff and Production:

 

Rocio Molina's Costumes Josep Ahumada

Stylist Soledad Sesena

Shoes Gallardo

Répétiteur Oscar Villegas

Video Gerard Gil et David Fernández

Horse Riding Advisor: Rafael Hernández

Sound Javier Álvarez

Lights Antonio Serrano

Stage Manager Adrián Molina

Executive Production Loȉc Bastos

Administration Magdalena Escoriza





Schedule for "Bosque Ardore" Rocio Molina 2022


Feedback
If you need help or have a question for Customer Service, contact us.
HELP SECTION. Privacy Policy. Your remarks and offers send to the address: info@OperaAndBallet.com
© Ballet and Opera Ltd, 1995-2022
Select preferred currency:

BAO   SHRT   LINK   LND