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Maxim Emelianychev (Conductor)

Maxim Emelyanychev is a fascinating artist, soon heard, immediately noticed. Beyond the dazzling technical abilities, stands the vivid and fiery spirit of a genuine theater man. 

He is expert in creating an atmosphere, suggesting a mood, bringing an action to life, launching a laugh or raising an existential question. La Croix – Emmanuelle Giuliani

Maxim Emelyanychev is an outstanding representative of the rising generation of very young conductors

Born in 1988 to a family of musicians, Maxim Emelyanychev first studied conducting at the Nizhny Novgorod Music School then continued his education in the conducting class of Gennady Rozhdestvensky in Moscow State Tchaikovsky Conservatory and fortepiano and harpsichord class of Maria Uspenskaya.

He is a prize-winner of numerous international competitions, among them: Hans von Bülow piano competition (Meiningen, 2012), Musica Antica harpsichord competition (Brugge, 2010), Volkonsky harpsichord competition (Moscow, 2010).

He made his conducting debut at the age of 12 and has since then conducted both baroque and symphonic orchestras. 

He collaborates with such renowned artists as Riccardo Minasi, Max Emanuel Cencic, Xavier Sabata, Julia Lezhneva, Sophie Karthäuser, Franco Fagioli, Dmitry Sinkovsky, Alexei Lubimov, Theodor Currentzis, Joyce Di Donato.

He leads Il Pomo d’Oro in their many projects: Haendel Tamerlano (Versailles, Hamburg, Vienna, Köln, Amsterdam, London …), Arie Napoletane with Max Emanuel Cencic (New York, Munich, Paris, Lyon, Rouen, Bern, Sevilla…), Haendel Partenoppe (Paris, Amsterdam, Madrid), or War & Peace, program of arias of baroque splendors with Joyce Di Donato (Versailles in 2016 to be followed by a recording for Warner Classics and long world concert tours in November-December 2016 and May-June 2017) or a Haydn-Mozart program at the Paris Théatre des Champs-Elysées with Katia and Marielle Labèque in Mozart Concertos for two pianos in May 2016.

His career with symphonic orchestras first started with numerous Russian orchestras –National Philharmonic of Russia, Soloists of Nizhny Novgorod or Nizhny Novgorod Philharmonic to name a few - and goes on internationally with the Sinfonietta Sofia, the Sinfonia Varsovia or the Real Orquesta Sinfonica de Sevilla, who invites him to conduct a production of Don Giovanni at Teatro de la Maestranza in November 2014.

During the 2015-16 season, he also conducts the Orquesta Nacional de Espana, the Real Filarmonica de Galicia and the Real Orquesta Sinfonica de Sevilla.

Maxim got the highest Russian theatre award "Golden Mask" as harpsichordist in stage production of Mozart's Le Nozze di Figaro of Perm Opera Theatre (CD by Sony Classics). 

With Il Pomo d’Oro, his recording of Napolitan arias with Max-Emanuel Cencic is released in October 2015 (Decca), followed by a Haydn double album with Riccardo Minasi (Erato), both as conductor and harpsichordist, and by the highly anticipated Erato CD with Joyce Di Donato.

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